leobrazerzkidai.blogg.se - Thimeo stereo tool 4k graphics

And especially if they are talking over music, the only way to achieve that is by first adjusting the microphone levels, before mixing it with the music and sending it to the main processor. Speech needs to be processed much more agressively than music to sound good - if someone moves away from their microphone, you don't want to hear a difference in the audio.

No additional latency compared to normal processing, which you would get with any (digital) microphone processor.

No need for a hardware mixing console (or with fewer channels).

No need for a hardware microphone processor.

If the compressors are pushed down a lot, they come back faster. This protects against "gaps" in the audio after a loud sound, and hence allows to set the normal release values much slower. This, together with Progressive Release, is the "magic sause" that many processors use to create a "big" sound. Progessive ratios add more density for louder sounds - the compressors go down deeper if you add more audio volume. This also makes compression far less audible. For very dynamic content they move faster, for already dense content they move slower.

The compressors dynamically adjust their speeds depending on incoming content. Dynamic attack/release timing in AGC and all compressors.Similar to Auto EQ, but specifiically for bass.ĭisabling the bass enhancers and bass bands for speech makes speech sound much more natural, without affecting music. It adds lots of features that improve the audio in subtle and sometimes less subtle ways.Īdjusts the spectrum without using compression. Improves consistency with a much less compressed sound. Advanced Dynamics is the difference between an "ok" sound and a great sound.